Storytelling and Social Change: A Guide for Activists, Organizations and Social Entrepreneurs

By ,

A practical and useful guide is for anyone who wants to create social change, and who wants to learn how storytelling can help.

Introduction

The guide is divided into four color-coded sections:

  • The STRATEGY section is about how to use storytelling to best effect.
  • The STORYTELLING section offers ideas on how to tell a good story.
  • The METHODS section covers some techniques in storytelling.
  • And the STRUCTURE section looks at how to incorporate storytelling into your everyday work.

Contents

INTRODUCTION

  • About this guide 1
  • Introduction 2

STRATEGY

  • Why tell stories for social change? 4
  • How do we develop a storytelling strategy? 6
  • How is storytelling used for social change? 8
  • Where can we tell stories? 9
  • How do we do research to support our storytelling? 10
  • How do we reach new audiences? 12
  • How can we piggyback on pop culture? 14
  • How do we balance short-and long-term storytelling? 16
  • How do we make stories actionable? 18
  • How do we combine the personal and the political? 20

STORYTELLING

  • What makes for a good story? 22
  • How do we tell compelling stories about boring topics? 24
  • How do we keep audiences involved in the story? 26
  • How do we combine stories and statistics? 28
  • In praise of messy, unstrategic storytelling 29
  • What are some of the forms of storytelling we can use? 30
  • Whose and what kinds of stories can we tell? 33
  • How can we elicit good stories from an interview? 34
  • Working with StoryCorps 35

METHODS

  • What is Theatre of The Oppressed? 36
  • What is Public Narrative and how do we use it? 38
  • How can we use fiction in our work? 40
  • What is a story circle and how do we facilitate one? 43
  • How and why can we use humor? 44
  • How can we use history? 47
  • How do we tell stories about the future we want to see? 48

STRUCTURE

  • How do we make storytelling a regular part of our work? 50
  • How can we gather stories from constituents? 52
  • What is a story bank and how can we build one? 54
  • What are the ethics of storytelling? 56
  • How can nonprofts work with outside storytellers to create change? 59
  • How do we evaluate the impact of our stories? 60
  • How do we know we’re making a difference? 62
  • What practices support storytelling on an ongoing basis? 63
  • What can grantmakers do? 64

AFTERWORD

  • Afterword by Deepak Bhargava 66

Excerpts

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